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Oceanic by
"Nezhukumatathil's poems contain elegant twists of a very sharp knife. She writes about the natural world and how we live in it, filling each poem, each page with a true sense of wonder." --Roxane Gay "Cultural strands are woven into the DNA of her strange, lush... poems. Aphorisms...from another dimension." --The New York Times "With unparalleled ease, she's able to weave each intriguing detail into a nuanced, thought-provoking poem that also reads like a startling modern-day fable." --The Poetry Foundation "How wonderful to watch a writer who was already among the best young poets get even better!" --Terrance Hayes With inquisitive flair, Aimee Nezhukumatathil creates a thorough registry of the earth's wonderful and terrible magic. In her fourth collection of poetry, she studies forms of love as diverse and abundant as the ocean itself. She brings to life a father penguin, a C-section scar, and the Niagara Falls with a powerful force of reverence for life and living things. With an encyclopedic range of subjects and unmatched sincerity, Oceanic speaks to each reader as a cooperative part of the earth,an extraordinary neighborhood to which we all belong. From "Starfish and Coffee": And that's how you feel after tumbling like sea stars on the ocean floor over each other. A night where it doesn't matter which are arms or which are legs or what radiates and how-- only your centers stuck together. Aimee Nezhukumatathilis the author of four collections of poetry. Recipient of a National Endowment for the Arts fellowship and the prestigious Eric Hoffer Grand Prize, Nezhukumatathil teaches creative writing and environmental literature in the MFA program at the University of Mississippi.
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Night Sky with Exit Wounds by
One of the most celebrated poetry books of the year: The New Yorker, The Best Books of Poetry of 2016 New York Times, Critics Pick Boston Globe, Best Books listing NPR, Best Books listing Miami Herald, Best LGBTQ Books San Francisco Chronicle, Top 100 Books of the Year Library Journal, Best Books of 2016 Michiko Kakutani inThe New York Times writes: "The poems in Mr. Vuong''s new collection,Night Sky With Exit Wounds...possess a tensile precision reminiscent of Emily Dickinson''s work, combined with a Gerard Manley Hopkins-like appreciation for the sound and rhythms of words. Mr. Vuong can create startling images (a black piano in a field, a wedding-cake couple preserved under glass, a shepherd stepping out of a Caravaggio painting) and make the silences and elisions in his verse speak as potently as his words...There is a powerful emotional undertow to these poems that springs from Mr. Vuong''s sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things." "Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion."--The New Yorker "The language is painfully, exquisitely exact, the scenes haunting and indelible.... Highly recommended."--Library Journal, starred review "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."--Buzzfeed''s "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world."--2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."--LitHub "Vuong''s powerful voice explores passion, violence, history, identity--all with a tremendous humanity."--Slate "In his impressive debut collection, Vuong writes beauty into--and culls from--individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity."--Publishers Weekly Torso of Air Suppose you do change your life. & the body is more than a portion of night--sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side-- waiting. Born in Saigon, Vietnam,Ocean Vuongattended Brooklyn College. He is the author of two chapbooks as well as a full-length collection,Night Sky with Exit Wounds. A Ruth Lilly Fellow and winner of the Whiting Award, Ocean Vuong lives in New York City.
Little Anodynes by
The third collection by the prize-winning Asian American poet Jon Pineda, Little Anodynes is a sequence of lyrical, personal narratives that continue Pineda's exploration of his biracial identity, the haunting loss of his sister, and the joys - and fears - of fatherhood. With its title inspired by Emily Dickinson, Little Anodynes offers its poems as "respites," as breaks in the reader's life that serve as opportunities for discovery and healing. Pineda deftly uses shortened lines and natural pauses to create momentum, which allows the poems to play out in a manner evocative of fine cinema, as if someone had left a projector running and these narratives were flickering and blending endlessly in an experience shared by the viewer, the storyteller, and the story itself.
Island by
In the early twentieth century, most Chinese immigrants coming to the United States were detained at the Angel Island Immigration Station in San Francisco Bay. There, they were subject to physical exams, interrogations, and often long detentions aimed at upholding the exclusion laws that kept Chinese out of the country. Many detainees recorded their anger and frustrations, hopes and despair in poetry written and carved on the barrack walls.Island tells these immigrants' stories while underscoring their relevance to contemporary immigration issues. First published in 1980, this book is now offered in an updated, expanded edition including a new historical introduction, 150 annotated poems in Chinese and English translation, extensive profiles of immigrants gleaned through oral histories, and dozens of new photographs from public archives and family albums. An important historical document as well as a significant work of literature, Island is a testament to the hardships Chinese immigrants endured on Angel Island, their perseverance, and their determination to make a new life in America.Watch the book trailer: https://www.youtube.com/watch?v=Vn7kJscWIaM
America Is in the Heart by
First published in 1943, this classic memoir by well-known Filipino poet Carlos Bulosan describes his boyhood in the Philippines, his voyage to America, and his years of hardship and despair as an itinerant laborer following the harvest trail in the rural West.
The Sympathizer by
Winner of the 2016 Pulitzer Prize, a startling debut novel from a powerful new voice featuring one of the most remarkable narrators of recent fiction: a conflicted subversive and idealist working as a double agent in the aftermath of the Vietnam War. The winner of the 2016 Pulitzer Prize for Fiction, as well as seven other awards,The Sympathizer is the breakthrough novel of the year. With the pace and suspense of a thriller and prose that has been compared to Graham Greene and Saul Bellow,The Sympathizer is a sweeping epic of love and betrayal. The narrator, a communist double agent, is a "man of two minds," a half-French, half-Vietnamese army captain who arranges to come to America after the Fall of Saigon, and while building a new life with other Vietnamese refugees in Los Angeles is secretly reporting back to his communist superiors in Vietnam. The Sympathizer is a blistering exploration of identity and America, a gripping espionage novel, and a powerful story of love and friendship.
See No Stranger by
An urgent manifesto and a dramatic memoir of awakening, this is the story of revolutionary love. Finalist for the Dayton Literary Peace Prize * "In a world stricken with fear and turmoil, Valarie Kaur shows us how to summon our deepest wisdom."--Elizabeth Gilbert, author of Eat Pray Love How do we love in a time of rage? How do we fix a broken world while not breaking ourselves? Valarie Kaur--renowned Sikh activist, filmmaker, and civil rights lawyer--describes revolutionary love as the call of our time, a radical, joyful practice that extends in three directions: to others, to our opponents, and to ourselves. It enjoins us to see no stranger but instead look at others and say: You are part of me I do not yet know. Starting from that place of wonder, the world begins to change: It is a practice that can transform a relationship, a community, a culture, even a nation. Kaur takes readers through her own riveting journey--as a brown girl growing up in California farmland finding her place in the world; as a young adult galvanized by the murders of Sikhs after 9/11; as a law student fighting injustices in American prisons and on Guantánamo Bay; as an activist working with communities recovering from xenophobic attacks; and as a woman trying to heal from her own experiences with police violence and sexual assault. Drawing from the wisdom of sages, scientists, and activists, Kaur reclaims love as an active, public, and revolutionary force that creates new possibilities for ourselves, our communities, and our world. See No Stranger helps us imagine new ways of being with each other--and with ourselves--so that together we can begin to build the world we want to see.
Staring down the Tiger by
Tsov tom, or tiger bite--an insult in Hmong culture--means you were stupid enough to approach tiger and get bitten. In this remarkable new book, Hmong American women reclaim that phrase, showing in prose and poetry that they are strong enough and brave enough to stare down the tiger. Contributors celebrate the power of bonds between daughter and mother, sister and sister, and grandmother and granddaughter. Only after climbing a mountain in Nepal can Kia M. Lor finally understand her mother's life. Pa Xiong provides a recipe for squirrel stew, remembering in telling detail the gender roles that mark each step--and how her mother broke those rules. Kao Kalia Yang sketches the extraordinary everyday achievements of a Hmong leader, her older sister, Dawb. Contributors to this volume bring life and character to the challenges of maintaining identity, navigating changes in gender roles, transitioning to American culture, and breaking through cultural barriers. These pieces were brought together through the work of Hnub Tshiab: Hmong Women Achieving Together, an organization founded in St. Paul to be a catalyst for lasting cultural, institutional, and social change to improve the lives of Hmong women. Contributors: MayKao Y. Hang, Npaus Baim Her, Gaosong V. Heu, Linda Vang Kim, Dee Kong, BoNhia Lee, Duabhav BJ Lee, Tou SaiKo Lee, Kia M. Lor, Kia Moua, Mai Neng Moua, Mainhia Moua, Douachee Vang, Gao Vang, Maly Vang, Talee Vang, MaiThao Xiong, Pa Xiong, Renee Ya, Boonmee Yang, Kao Kalia Yang, Lyncy Yang, Nou Yang, Song Yang